11/20/2023 0 Comments Learn final cut pro![]() Not only do editors need to learn a new workflow, but assistant editors do, too. Or your colorist is working in Resolve and needs an XML. Or you want to send the trackless audio to your mixer who is using Pro Tools. You’ve finished your cut and need to send it to your client. This should significantly reduce the inherent frustration many experienced editors have when transitioning from a track-based NLE. By the end of this second episode, you’ll know enough to play around with FCP’s magnetic, trackless timeline. It’s just so yummy!Īs the timeline interface is so radically different from every other NLE you’ve ever used, there was too much to unpack in a single episode. We tried keeping it all in one episode, but we had to go back for seconds. If episode three is the meat, episode four is the potatoes. If you want to go straight to the fun stuff, here’s a good place to start. Instead, it’s a deep dive into how Final Cut Pro’s timeline works. Like our previous videos, this isn’t a tutorial per se. There’s a lot of unlearning to do here and new concepts to understand. If you can’t quite imagine how “editing with no tracks” works, this will answer your question. For reality or documentary editors, the keywording feature is a true game-changer. We know it’s not the glamorous part of editing, but there are many gems worked into the browser that you should know about. Skip this video and you’ll be able to work via an “old-school” workflow, but you’ll miss out on some of Final Cut’s amazing efficiencies that will change how you edit. Or, for those of you who wish to skip the “getting to know you” phase and prefer to jump straight into the deep end of the pool, consider starting with our crash course timeline tutorial. Work your way through each video for a firm grasp of FCP’s workflow, or jump directly to the timeline crash course if that better matches your learning style. So we’ve teamed up to create a series aimed at editors who are interested in learning what sets Final Cut Pro X apart from the pack. This new approach has an unlearning curve for all that knowledge you spent years acquiring. This results in a vastly different and more efficient editing workflow with significant advantages, if you learn the ropes. Final Cut Pro X stands alone with a truly unique approach to editing including its ability to cut with no tracks and a magnetic timeline. ![]() We’ve realized that most NLEs are variations on a theme-source clips, tracks, insert, and overwrite. Both Mike Matzdorff and I are professional career editors who work on multiple edit systems.
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